That Floating Excrement Was Far Too Meaningful! It's the Television Letdowns of the Year.
Looking back, we reflect on the television landscape of the past year, a selection of shows emerge not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Burdened with woeful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the final season began, it seemed as if it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final series. It ended on a bum note; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Yet, viewers certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't let out a small sob?
All’s Fair
‘Can Kim Kardashian act? Of course she can’t.’
But that was almost the least of this drama's issues. The recipient of a very rare zero star assessment, it was hard to know where to begin enumerating the flaws. The hilariously leaden dialogue? The tedious glorification of affluence and consumption? The almost deliberate procession of cliches? Performances so bad they felt borderline spiteful? Let’s just say “all of the above” and forget about this series again. Except, a second season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Given the legal troubles, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this show might evoke should be reserved for the people who have had to endure close contact with this charismatic but dismissive narcissist.
The Iris Affair
Of course we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.
The Gangster Drama
Dodgy figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.
In truth, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were plenty of other issues. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various cockney rogues which felt a bit basic.
With Love, Meghan
Given the degree to which she grinds the gears of the nation’s performatively angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into twee homemaking as intentional statements. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “hacks” you’ll forget instantly. All supported by vast, mostly unearned wealth. Ugh.
Victoria Beckham
There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Instead, the viewing was like reading a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.
The Game Show
It should have been the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality overseeing her estate. What more could you want? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.
The Lena Dunham Romcom
How do you succeed a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not good enough to be ‘uneven’.
Given the smart recruitment of talented emerging comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right tone, lurching from strangely breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.
Prime Target
We love the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator notorious for explicit escapades as she undertook her biggest feat yet. What on earth would motivate her? What we craved was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to haul her son out of the queue. What we got was disturbing imagery and zero critical analysis of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.